- manipulation of film, content in all?
- caves are different from the other 3 - follow the caves with the sound, compliment each other.
- real time and linear
- 4 different landscapes and different colours.
- all walking in 3, landscape moves in one, contrast
- Going somewhere, moving into the distance, endless
- Even when the person is no longer there the camera is still
- Time is important, memory possibly
- 'Nothing' places, no about that anymore as there are so many?
- Collection of images, caves put people off as the different one or 'odd one out' if all were different wouldnt be so off putting.
- Question intention of manipulations, is it any longer necessary?
- The romantic and sublime images are reminiscent of the past, the saturation and quality, the caves seems more futuristic.
- Like paintings - especially field.
- Echo of perspective, shift from flat plains to perspective points. Clearly a factor.
- Horizontal vs vertical perspectives. Renaissance
- Characters and landscapes, any relationships? Time travel, journey, in the caves like he's being taken.
- Cant see where the others are going but in the caves, feels quite claustrophobic, watching continuously.
- Can use your imagination for those that disappear.
- Sound contrasts the images, futuristic and digital vs. natural.
- Stressed as you find something in the images to follow.
- Ambient sound?
PROJECTION
- like the size of the image, much more effective - but TV screens like that they can be viewed together, separately
- TV works better as a relationship together, more natural
- Projection played backwards etc more awkward and obvious, doesn't work as well
- unnatural vs naturally connected
- What is the trickery about? Medium, what someone can do or more than that?
- Dreamlike, against the reality of the manipulations - not real
- More subtle beach one and the cave work.
- The static vs the moving a good contradiction
- 4 way set up works well, see against each other much more interesting
- spaces - diagonal horizontal etc
- Have the individual always walking away on purpose? Don't try to connect to them
- Sublime, at odds with something that avoids romanticism
- Sublime vs futuristic
- How move through space in points of art history
- metaphysics vs. paintings
- performance of body through space
- Moving photos
- P (something) collective, HK119, Duchamp - rotoreliefs, Edvard Munch etc
- Having one moving away and the location coming forward is optically demanding
- Relationship between minimal structures through colour and painting
- Acknowledge inspiration from paintings
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